tribal broadcast recordings: Press

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Marque Gilmore / DRUM-FM: “CREATION STEP”
***** Voted 1 of the “NEXT BEST 15 CDs OF 2003” *****
Alongside Basement Jaxx, Jamie Cullum, Dvorak, RZA, Pink & more ...
“Live drum magic.”
– The OBSERVER MUSIC MONTHLY #2, October 2003 –

"THE VERY, VERY FAST SHOW: MARQUE GILMORE WAS PLAYING JUNGLE BEFORE IT WAS INVENTED AND PLAYING IT LIVE…THE MAN WHO FIRST PUT DRUMS INTO DRUM'n'BASS.
– Kevin Le Gendre, THE SUNDAY OBSERVER –

“It’s no coincidence that London’s most compelling fusion outfits TALVIN SINGH, PROJECT 23, DNA, NITIN SAWHNEY and STATE OF BENGAL, all feature Gilmore as anchorman. Ignore the lame fusion cack put together by the likes of Mo’Wax, GILMORE BLOWS THEM ALL AWAY. We’ll only realize how important he is in years to come.”
– John Lewis, TIME OUT –

"DRUM-FM WAS INSTRUMENTAL IN FORGING THE CONCEPT OF LIVE JUNGLE/DRUM'n'BASS…THEY PRECEDED THE LIKES OF REPRAZENT, 4HERO, PESHAY
AND HAVE SEEN DRUM'n'BASS REDEFINE ITSELF...”
– Terna Heuston-Jibo STRAIGHT NO CHASER –

“...expatriate American Marque Gilmore doing his customary,
awesome job of sounding like a drum machine for hour after tireless hour.
Gilmore's presence alone endorses the belief in the pulling-power of London's cutting-edge pop."
- John Fordham, THE GUARDIAN -

"One of London’s innovative finest."
- DJ MAGAZINE –

MARQUE GILMORE, VERY MUCH
THE KING OF JUNGLE DRUMS."
– Jack Massarick, EVENING STANDARD –

"…SEEKING TO REPRODUCE DRUM’n’BASS LIVE…WOULD BE IMPOSSIBLE
WITHOUT THE AWSOME TALENTS OF JAZZ DRUMMER MARQUE GILMORE…"
– Neil Spencer, THE OBSERVER REVIEW –

“THIS MUSIC WAS UNLIKE ANYTHING YOU'D HEARD BEFORE. AS YOU RODE THE TIDE OF SUB-BASS TRIGGERED BY the inna•most's FLURRIES ON THE DRUM KIT,
YOU WERE SUDDENLY AWARE OF THE SHEER MODERNITY OF THE SOUND.
SO, ALL OF YOU 21ST CENTURY PROGRAMMERS OUT THERE… DRUM-FM IS THE LICK.”
– Paul Bradshaw, Publisher/Senior Editor STRAIGHT NO CHASER –

DRUM-FM:
LIVE PERFORMANCE PRESS…

DRUM-FM: MILLENNIUM MIGRATION

MILLENNIUM MIGRATION - Live @ Hackney Empire - 14, October 1999:
"THE HACKNEY EMPIRE HAS BEEN DESCRIBED AS EAST LONDON'S APOLLO THEATRE AND ON THIS NIGHT IT WAS THE PERFECT SETTING FOR THIS AMBITIOUS PERFORMANCE OF MUSIC, DANCE AND KINETIC VISUALS. IT WAS A MUSICAL VOYAGE THAT TRACED THE JOURNEY OF RHYTHM, OF RHYTHMS, THAT STARTED LIFE IN AFRICA AND NOW PROVIDE THE FOUNDATION AND BACK-BEAT FOR THE SOUND OF A NEW MILLENNIUM.
FROM LIFT-OFF, THE MUSIC PROPELLED THE AUDIENCE INTO NEW DIMENSIONS.
THIS MUSIC WAS UNLIKE ANYTHING YOU'D HEARD BEFORE.
AS YOU RODE THE TIDE OF SUB-BASS TRIGGERED BY inna•most's FLURRIES
ON THE DRUM KIT, YOU WERE SUDDENLY AWARE OF THE SHEER MODERNITY OF THE SOUND.…SPACE WAS THE PLACE…
THE SWATHES OF ELECTRONICA WERE UNDERPINNED BY inna•most's COMMITMENT TO THE DYNAMICS OF JUNGLIST RIDIMS AND SOUND, BUT EACH TUNE WAS CONTINUOUSLY TEMPERED AND ENHANCED BY THE VOCALS OF IMANI UZURI AND CHEICK TIDIANE SECK…A LOT OF PEOPLE THINK THAT BECAUSE THEY'VE SEEN inna•most WITH NITIN SAWHNEY, CLEVELAND WATKISS, ERIK TRUFFAZ OR WITH HIS OWN SMALLER DRUM-FM UNIT, THAT THEY'VE HEARD MARQUE GILMORE.
WELL, JUDGING BY 'MILLENNIUM MIGRATION' YOU HAVEN'T.
AT LAST, MARQUE'S VISION HAS COME TO FRUITION AND IT NEEDED A STELLAR CAST OF PLAYERS - ESPECIALLY CHEICK TIDIANE SECK WHOSE PRESENCE
WAS THAT OF A GUIDING SPIRIT - TO PULL IT OFF.
SO, ALL OF YOU 21ST CENTURY PROGRAMMERS OUT THERE…
MILLENNIUM MIGRATION IS THE LICK."
[Paul Bradshaw, Publisher/Senior Editor]
-STRAIGHT NO CHASER Live Review/WINTER'99-

"AN ANTENNAE WITH ATTITUDE PIPES OUT FROM THE HUB OF THE RADIO.
IT'S A DREADLOCK WEAVING FREQUENCIES SO LOW THEY SCARE OCEANS IN THEIR BEDS. IN THE CENTRE OF THE BEATBOX'S ALUMINIUM CASE THERE'S A DIAL WHICH LOCKS PERMANENTLY TO THE CORAL KEYS OF DRUM-FM,
A HUMAN BODY MADE OF RADIO. THE SPEAKERS ARE EARS AND THE SMILE ON THE DIAL BELONGS TO MARQUE GILMORE, THE PIRATIC PERCUSSIONIST-PROGRAMMER INTENT ON MAKING THE TRANSISTOR TAKE ON FLESH AND BLOOD. DRUM-FM IS RADIO MADE OF MAN. THE BASS BOOST IS THE HEART,
THE TREBLE IS THE LOOSE WRIST ROLLING ON THE HI-HAT
AND THE GRAPHIC EQUALISER HAS THE POWERS OF SPEECH.
DRUM-FM MAKES TUNES THAT TUNE YOU OUTTA YA'SELF -
IT IS MARQUE GILMORE's COLLECTIVE OF PLAYERS,
POETS AND DJs WHO HAVE BEEN MAKING SOME OF THE MOST INNOVATIVE
JUNGLE-ORIENTED MUSIC IN LONDON FOR SEVERAL YEARS NOW.
[Kevin Le Gendre]
-ECHOES: "Code of the Streets" Feature/SEPT'99-

"DRUM-FM WAS INSTRUMENTAL IN FORGING THE CONCEPT OF
LIVE JUNGLE/DRUM'N'BASS…THEY PRECEDED THE LIKES OF REPRAZENT, 4HERO, PESHAY AND HAVE SEEN DRUM'N'BASS REDEFINE ITSELF BY REPLACING
AMEN AND APACHE BREAKS FOR THE AUTHENTICITY
OF CONTEMPORARY DRUMMERS.
[Terna Heuston-Jibo]
-STRAIGHT NO CHASER Eulipion Special Feature/AUTUMN'99-

"MARQUE 'inna•most' GILMORE STAYED ONSTAGE ALONG WITH
TABLA MASTER AREF DURVESH, TO PRESENT DRUM-FM…
FRONTED BY THE SPO'GRAFFIX OF KA'FRIQUE, COLOURED BY THE TURNTABLISM OF @!CYDE AND ELEVATED BY SOLAR SYNTHS OF JESSICA LAUREN, DRUM-FM ROCKED THE CLUB WITH DEVIOUS, TELEPATHIC,
POLYRHYTHMIC ATTACK."
[Kathryn Wilgress]
-STRAIGHTNOCHASER'Live@Brancaleone[27-11-99], Roma'/SPRING'00-

"…THERE ARE AN INCREASING NUMBER OF ACOUSTIC DRUMMERS MOVING
INTO THE D&B ARENA, NAMES SUCH AS MARQUE GILMORE (DRUM-FM),
CLIVE DEEMER (REPRAZENT) AND PAUL KODISH (APOLLO440) IMMEDIATELY
SPRING TO MIND."
[Ronan MacDonald]
-RHYTHM MAGAZINE/APRIL'98-

"…DJ LeROUGE AND DRUMMING WIZARD MARQUE GILMORE…
THIS SHOULD PUSH D&B INTO THE FUTURE…
SLOW MOTION'S 1ST BIRTHDAY AT THE END."
-TIME OUT/31, APRIL'97-

"MIND BLOWING U.S. DRUMMER…
GILMORE'S LIVE WIZARDRY TURNS SOUL WITH A MESSAGE INTO SOMETHING
STUNNINGLY ORIGINAL AND CONTEMPORARY."
[Linton Chiswick]
-TIME OUT/JAN.'97-

"DRUM-FM…ONE OF THE MOST INTERESTING AND INNOVATIVE
CONCERTS TO REACH THE SOUTH BANK IN A LONG TIME…
MUSIC FOR THE 21st CENTURY."
-TIME OUT/JULY'96-

"MARQUE GILMORE WAS ARGUABLY
THE FIRST DRUMMER TO PLAY JUNGLE ON STAGE…
…LIVE, THESE BROADCASTS OF WHAT COULD BE TERMED
'IMPROVISED JUNGLE', PEAK AT A TRULY VISCERAL LEVEL."
[Mike Barnes]
-THE WIRE/JULY'96-

"DRUM-FM OPERATES RIGHT AT THE
SHARP END OF CONTEMPORARY DRUMMING
AND THE CROSSOVERS BETWEEN JAZZ AND UNDERGROUND POP..."
-THE GUIDE (THE GUARDIAN) /20-26, JULY'96-

"THE BEST HIT AVAILABLE ON NYC'S UNDERGROUND HAS TO BE
MARQUE GILMORE'S DRUM-FM CLUB…
SURELY THE ONLY EVENT ON EARTH THAT OFFERS
'LIVE INTERACTIVE JUNGLE'."
-STRAIGHT NO CHASER/FALL'95-
[1ST UK PRESS FEATURE]

MARQUE GILMORE "the inna•most" >
BIG UP PRESS…

"THE VERY, VERY FAST SHOW:
MARQUE GILMORE WAS PLAYING JUNGLE BEFORE IT WAS INVENTED-
AND PLAYING IT LIVE…THE MAN WHO FIRST PUT DRUMS INTO DRUM'N'BASS.
[Kevin Le Gendre]
-THE SUNDAY OBSERVER/28, NOV'99-

"ANYONE WHO'S SEEN DRUMMER MARQUE 'inna•most' GILMORE IN ACTION WILL…
WATCH THE DREADLOCKED FIGURE BASH OUT COMPLEX DRUM'N'BASS LOOPS
AT 160bpm WHILE CONSTANTLY IMPROVISING...
WATCH HIM REPLICATE FILTERED BREAKBEAT EFFECTS
AND SPACEY BACKWARD SAMPLES ON AN ACOUSTIC KIT:
HEAR HIM USE HIS TOM TOMS TO IMITATE HIS BAND -
WHETHER IT'S INDIAN TABLA PATTERNS OR COSMIC GUITAR SOLOS…
AND IT'S NO COINCIDENCE THAT LONDON'S MOST COMPELLING FUSION OUTFITS - TALVIN SINGH, CLEVELAND WATKISS' PROJECT 23, STEVE WILLIAMSON'S DNA, NITIN SAWHNWY AND STATE OF BENGAL-ALL FEATURE GILMORE AS ANCHOR MAN…IGNORE THE LAME FUSION CACKPUT TOGETHER BY THE LIKES OF MO WAX - GILMORE BLOWS THEM ALL AWAY. WE'LL ONLY REALIZE HOW IMPORTANT HE IS IN YEARS TO COME.
[John Lewis]
-TIME OUT/13-20, October'99-

"MARQUE GILMORE INTRODUCES A NEW CONCEPT OF LIVE THEATRE"
-NEW NATION/11, October'99-

"IF YOU TUNE INTO THE VIBE OF ORIGINAL
HUMAN JUNGLIST MARQUE GILMORE 'the inna•most',
YOU'LL FIND A BODY OF BLACK MUSIC…AND A RADIO HEAD. WAVE MACHINE."
[Kevin Le Gendre]
-ECHOES: "Code of the Streets" Feature/SEPT'99-

"STEVE WILLIAMSON'S 21ST CENTURY JAZZ GROUP FEATURES
THE PHENOMENAL TALENTS OF MARQUE GILMORE, A DRUMMER CAPABLE OF
PLAYING LIVE JUNGLE BEATS."
-TIME OUT/SEPT'98-

"AMERICAN DRUMMER MARQUE GILMORE, WHO'S BUILT UP AN IMPRESSIVE
REPUTATION OVER HERE FOR HIS WORK ON THE JAZZ/JUNGLE SCENE,
HAMMERS OUT THE RHYTHM…"
-EVENING STANDARD/23, APRIL'98-

"GIVE THE DRUMMER SOME, JAZZ CAF?STYLE!"
PHOTO OF the inna•most AMONGST THE CREAM OF THE D&B FRATERNITY
[Tristian O'Neill"WHO SHOT 'YA" Photo Gallery]
-ATMOSPHERE/MARCH-APRIL'98-

"…THERE ARE AN INCREASING NUMBER OF ACOUSTIC DRUMMERS MOVING
INTO THE D&B ARENA, NAMES SUCH AS MARQUE GILMORE (DRUM-FM),
CLIVE DEEMER (REPRAZENT) AND PAUL KODISH (APOLLO440) IMMEDIATELY SPRING TO MIND."
[Ronan MacDonald]
-RHYTHM MAGAZINE/APRIL'98-

"STEVE WILLIAMSON IS JOINED HERE BY NEW YORKER MARQUE GILMORE,
VERY MUCH THE KING OF JUNGLE DRUMS."
[Jack Massarick]
-HOT TICKETS (EVENING STANDARD)/12, JUNE'97-

"…THE SUPER-SLICK DRUMS OF MARQUE GILMORE…"
[Jack Massarik]
-HOT TICKETS (EVENING STANDARD)/22, MAY'97-

"MARQUE GILMORE, WHO'SE SKIN-TIGHT RHYTHMS
MAKE UP PROJECT 23's MAIN FOCUS - AND FOR WHAT COULD BE SEEN,
GILMORE HITS EVERYTHING IN SIGHT!"
[William Trevelyan]
-ENTERTAINMENT MAGAZINE/SPRING'97-

"…SEEKING TO REPRODUCE THE RESULTS LIVE…WOULD BE IMPOSSIBLE
WITHOUT THE AWSOME TALENTS OF JAZZ DRUMMER MARQUE GILMORE…"
[Neil Spencer]
-THE OBSERVER REVIEW/12, JAN'97-

"MIND BLOWING U.S. DRUMMER…
GILMORE'S LIVE WIZARDRY TURNS SOUL WITH A MESSAGE INTO SOMETHING
STUNNINGLY ORIGINAL AND CONTEMPORARY."
[Linton Chiswick]
-TIME OUT/JAN.'97-

"…Drum Overlord Marque Gilmore…"
-THE HERALD/12, October'96-

"MARQUE GILMORE WAS ARGUABLY
THE FIRST DRUMMER TO PLAY JUNGLE ON STAGE…
…LIVE, THESE BROADCASTS OF WHAT COULD BE TERMED
'IMPROVISED JUNGLE', PEAK AT A TRULY VISCERAL LEVEL."
[Mike Barnes]
-THE WIRE/JULY'96-


"LTJ BUKEM's DJ SKILLS, GUY CALLED GERALD's STUDIO TRICKNOLOGY,
AND GILMORE's FAST-DEVELOPING EXPLORATIONS IN LIVE JUNGLE PERCUSSION…BLURRED THOSE PREVIOUSLY FIXED PERCEPTIONS OF WHAT EXACTLY 'LIVE' MUSIC WAS…"
[Garry Mulholland]
-TIME OUT/JULY-AUG'96-


"MARQUE GILMORE IS A DRUMMER OF FURIOUS ENERGY
WHO CAN KEEP UP THE RELENTLESS PULSE OFJUNGLE MUSIC
AND LIVE D&B INTERACTION ALL NIGHT."
-THE GUIDE (THE GUARDIAN) /20-26, JULY'96-

"I HAVE BEEN FOLLOWING THE PROGRESS OF CERTAIN INDIVIDUALS
WHO HAVE BEEN WORKING…ON THE CONCEPT OF LIVE, INTERACTIVE DRUM & BASS. MARQUE GILMORE IS THE BACKBONE WITH HIS FAST,
ACCURATE RHYTHMIC DRUMMING…"
[DJ Debra]
-BLUES&SOUL/25, JUNE'96-

"A DRUMMER WITH ENOUGH ENERGY TO PLAY 160BPM JUNGLIST RHYTHMS LIVE, HE SEEMS TO BE EVERYWHERE AT ONCE, INFUSING LONDON'S CLUB SCENE WITH AN INCREDIBLE AMOUNT OF ENERGY."
[Annie Peel]
-JAZID/MARCH-APRIL'96-

"GILMORE SEES JUNGLE AS A CULTURAL NECESSITY…THE TRIBAL POLYRHYTHMS OF AFRICAN FOREFATHERS REINCARNATED IN THE ESTATES OF EAST LONDON. LUCKILY FOR ALL OF US, HE IS ABSOLUTELY DETERMINED TO SPREAD THE WORD."
[ANNIE PEEL]
-STRAIGHT NO CHASER/FALL'95-
[1ST UK PRESS FEATURE]

DRUM-FM > "lest we forget…." EP:

CD Reviews…

"…INSTRUMENTAL IN PIONEERING THE CONCEPT OF LIVE DRUM'N'BASS,
PATENTING A BLEND OF TRADITIONAL INSTRUMENTATION, DJs, MCs
AND MIDI-MANIPULATION…IN FACT, 'lest we forget…' IS A TRIUMPH,
A PERFECT REALIZATION OF GILMORE'S RESEARCH INTO RHYTHMS …
TRACKS SUCH AS 'the spirit' AND '2:1:SONG' FUSE GILMORE'S
OWN DOUBLE-TIME BEATS WITH MIDI-TRIGGERED TABLATRONICS,
CLASSICAL INSTRUMENTATION, WEST AFRICAN VOCALISING
(COURTESY CHEICK TIDIANE SECK) AND NEW YORK STREET POETRY FROM EKERE. THE STRENGTH OF THE PROJECT LIES IN THE COLLECTIVE ENERGY
GENERATED BY ALL THE PARTICIPANTS. THE VISION, HOWEVER, IS GILMORE'S.
DRIVEN BY THE NEED TO DEMONSTRATE THE EVOLUTION OF RHYTHM,
HE HAS CREATED A MUSICAL ENVIRONMENT WHERE DISPARATE DIRECTIONS
FINALLY RECONNECT IN THE DIASPORA OF ELECTROACOUSTIC DRUM'N'BASS.
[Peter McIntyre]
-THE WIRE/FEBRUARY 2000-

"DRUM-FM IS BASICALLY THE BRAINCHILD OF AMERICAN DRUMMER SUPREMO
MARQUE 'the inna•most' GILMORE. IF THE NAME SOUNDS FAMILIAR
IT IS BECAUSE HIS MASTERY OF DRUM'N'BASS RHYTHMS HAS SEEN HIM WORK FOR THE LIKES OF NITIN SAWHNEY, STATE OF BENGAL, ANOKHA AND VERNON REID. BE WARNED, THIS EP ("lest we forget….")IS NOT EASY LISTENING,
IT'S CHALLENGING, UNCOMPROMISING AND UNIQUE AND AS SUCH IT'S A REAL
BREATH OF FRESH AIR. (8 out of 10)"
[Phil Meadley]
-WAX/JAN 2000-

drum-fm "lest we forget…." EP - monumental records
"My pleasure to play catch up with Marque Gilmore's 'global broadcasts' as
the Moors chase their maker from Bamako to Brooklyn and Brixton amidst the most spiritual drum'n'bass this side of heaven.
[DJ Debbie]
-www.funk-me.com via "gaialive"/30-Jan-01-

"…ONE OF LONDON'S INNOVATIVE FINEST…"
[FOUNDSOUND]
-DJ MAGAZINE/AUG'99-

"GILMORE'S "lest we forget…." EP IS AN ORGY OF HYPERACTIVITY,
A CRAZY FUSION OF JUNGLIST RHYTHMS OVERLAID WITH
INDIAN AND AFRICAN MELODIES."
-------------------------
"THEN THERE'S THE 'kissultimate' LP, A CD BY THE POETRY COLLECTIVE MANNAFEST THAT AGAIN FEATURE GILMORE'S IMPULSIVE STAMP
ALONG WITH INPUT FROM 4HERO…ATTICA BLUES…AND @!CYANIDE…"
[Ray Douglas]
-STRAIGHT NO CHASER MAGZINE/SPRING'99-

PROJECT 23:

press & reviews…

"DRUMMER MARQUE GILMORE WOWED PEOPLE WHO SAW
PROJECT 23's PREVIOUS PERFORMANCE AT THE JAZZ CAF?
[Tim Lusher]
-HOT TICKETS (EVENING STANDARD)/13, NOV'98-

"MUCH HAS BEEN MADE OF PROJECT 23's LIVE CREDENTIALS
AND OF GILMORE's FUSION OF LIVE DRUMMING AND SAMPLED BREAKBEATS."
[Emma Warren/Jamie B.]
-JOCKEY SLUT/FALL'97-

"MARQUE GILMORE, WHO'SE SKIN-TIGHT RHYTHMS
MAKE UP PROJECT 23's MAIN FOCUS - AND FOR WHAT COULD BE SEEN,
GILMORE HITS EVERYTHING IN SIGHT!"
[William Trevelyan]
-ENTERTAINMENT MAGAZINE/SPRING'97-

"PROJECT 23 played the Queen Elizabeth Hall with Watkiss on keyboards and vocals, DJ LeRouge on turntables and expatriate American Marque Gilmore doing his customary, awesome job of sounding like a drum machine for hour after tireless hour. Gilmore's presence alone endorses the belief in the pulling-power of London's cutting-edge pop."
[John Fordham]
-The Guardian/2, April'97-

"…ONE OF THE MOST INNOVATIVE D&B ACTS,
GILMORE's DRUMMING HAS EARNED HIM ACCOLADES WORLD-WIDE."
[Anne Sexton/Veena Virdi]
-MELODY MAKER/11, JAN'97-

"…SEEKING TO REPRODUCE THE RESULTS LIVE…WOULD BE IMPOSSIBLE
WITHOUT THE AWSOME TALENTS OF JAZZ DRUMMER MARQUE GILMORE…"
[Neil Spencer]
-THE OBSERVER REVIEW/12, JAN'97-

#1. PROJECT 23 "23" LP => ECHOES JAZZ CHART/19, October'96

"DANCE SINGLE OF THE MONTH: PROJECT 23 'Day of Sunshine' (Dorado)
The star of this sublime drum and bass single is suprisingly,
not the classy vocals of Cleveland Watkiss (fresh from the Metalheadz sessions), but the stone cold soulful drumming of Marque Gilmore.
Proof again, if it was needed that jungle isn't for the deaf
But the Deff (excuse the circa-1988 pun)!"
-The Camden New Journal/October'96-


PROJECT 23 "Pleasure & the Pain" - 1st single
"SINGLE OF THE WEEK"/NME 7-SEPT-96
"SINGLE OF THE WEEK"/MIXMAG 24-AUG-96

"So PROJECT 23 finds Cleveland teaming up with
drummer Marque Gilmore and DJ LeRouge for what in time
may be seen as an awesome landmark album…
while the dangerous Gilmore weaves live magic
with his wrist snapping percussive speed."
-STRAIGHT NO CHASER ALBUM REVIEWS/AUTUMN'96-

"DRUMMER MARQUE GILMORE AND ELECTRIC TABLA PLAYER TALVIN SINGH
KICKSTARTED THE PROCEEDINGS BY PRODUCING A POUNDING RHYTHM…
WATKISS' VOCALS BEGAN…SAXOPHONIST STEVE WILLIAMSON CONTRIBUTED EVERYTHING FROM SUBTERRANEAN RUMBLINGS TO SCRABBLING HIGH-NOTE RUNS…EFFECTS AND SAMPLES WERE PROVIDED BY DJ LeROUGE AND A HEAVY BASS BY OROH ANGIAMA……BUT IT WAS GILMORE'S SCURRING JUNGLE RHYTHMS, OCCASIONALLY TEASING, STUMBLING AND TRIPPING,
BUT NEVER LOSING THEIR HECTIC MOMENTUM, WHICH HELD THE MUSIC TOGETHER. FOR SHEER ENERGY AND ORIGINALITY IT WAS HARD TO BEAT."
[Chris Parker/Live Review -> PROJECT 23@Purcell Room]
-THE TIMES/22, FEB'96-